The open altar that was the centerpiece of the sanctuary was to feature the stained glass window depicting Mary and Jesus, the “Raboni” window. It had been purchased in 1911 from the C. Day
Rudy Company of Harrisburg and for forty years was an exterior window to the left of the altar. In its new setting the original window behind it was to provide backlighting during the
day, and it would be partially covered by a wooden reredos. The plaster on the back wall above and around the “Raboni” window was painted, as were the other new decorations in the sanctuary,
by Robert J. Wellsman of Baltimore, Maryland. New carpeting for the sanctuary came from the Magee Carpet Company.
One unplanned change took place high above the altar when it was discovered one of the three stained glass windows near the ceiling had broken panes of glass. When it was determined the glass could no longer be matched, all three were removed and replaced with brilliantly colored “story” windows created by the Baut Studios of Forty Fort, Pennsylvania.